Shelley: Selected Poems and Prose
Percy Bysshe Shelley
Gelesen von Leonard Wilson (1930-2024)





The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He was wise enough, however, to realize that his efforts were ineffective, and he chose instead, not to attempt to reshape society, but to transform the individual, to inspire his readers to a greater love of beauty, of nature, and especially of each other. To this end, he poured forth a profusion of gorgeous verse overflowing with brilliant imagery, all aimed at uplifting the good and the beautiful, the free and the loving, while denouncing the social forces that tended to suppress them.
Unfortunately, it was Shelley’s fate to be misunderstood by the people of his own time. He was vilified as an evil influence, a free thinker and free lover whose ideas should be abhorred. He pictured himself in his poetic tribute to Keats, “Adonais,” as an outcast or a martyr, a “phantom among men, companionless,” bearing a brand upon his brow like that of Cain or of Christ. His life was unorthodox, but his nature was highly sympathetic and filled with devotion to those who were ground down by life and the pressures of a callous society. Perhaps the greatest testimonial was paid to him in letters written by Lord Byron (who, incidentally, disagreed with his political ideas): “...he is, to my knowledge, the least selfish and the mildest of men--a man who has made more sacrifices of his fortune and feelings for others than any I ever heard of.” “Shelley...was, without exception, the best and least selfish man I ever knew. I never knew one who was not a beast in comparison.” (Introduction by Leonard Wilson) (6 hr 59 min)
Kapitel
Hymn to Intellectual Beauty | 6:07 | Gelesen von Leonard Wilson (1930-2024) |
Sonnet: Lift not the painted veil | 1:35 | Gelesen von Leonard Wilson (1930-2024) |
Ode to the West Wind | 5:00 | Gelesen von Leonard Wilson (1930-2024) |
Excerpt from Preface to Prometheus Unbound | 5:09 | Gelesen von Leonard Wilson (1930-2024) |
Conclusion of Prometheus Unbound, Act IV, ll. 554-578 | 2:29 | Gelesen von Leonard Wilson (1930-2024) |
The Cloud | 4:57 | Gelesen von Leonard Wilson (1930-2024) |
Sonnet: England in 1819 | 1:31 | Gelesen von Leonard Wilson (1930-2024) |
Song to the Men of England | 2:18 | Gelesen von Leonard Wilson (1930-2024) |
A Summer Evening Churchyard, Lechlade, Gloucestershire | 2:43 | Gelesen von Leonard Wilson (1930-2024) |
Mutability, 2 poems | 2:54 | Gelesen von Leonard Wilson (1930-2024) |
Lines Written in the Bay of Lerici | 3:09 | Gelesen von Leonard Wilson (1930-2024) |
Love's Philosophy | 1:20 | Gelesen von Leonard Wilson (1930-2024) |
Mont Blanc | 10:13 | Gelesen von Leonard Wilson (1930-2024) |
To Night | 2:12 | Gelesen von Leonard Wilson (1930-2024) |
Letter to Maria Gisborne | 19:22 | Gelesen von Leonard Wilson (1930-2024) |
Time Long Past | 1:29 | Gelesen von Leonard Wilson (1930-2024) |
When the Lamp Is Shattered | 2:09 | Gelesen von Leonard Wilson (1930-2024) |
Dedication of The Revolt of Islam | 9:21 | Gelesen von Leonard Wilson (1930-2024) |
With a Guitar, to Jane | 4:56 | Gelesen von Leonard Wilson (1930-2024) |
To-- One word is too often profaned | 1:25 | Gelesen von Leonard Wilson (1930-2024) |
Lines Written Among the Euganean Hills | 16:53 | Gelesen von Leonard Wilson (1930-2024) |
Ozymandias | 1:34 | Gelesen von Leonard Wilson (1930-2024) |
Stanzas--April, 1814 | 2:51 | Gelesen von Leonard Wilson (1930-2024) |
Feelings of a Republican on the Fall of Bonaparte | 1:38 | Gelesen von Leonard Wilson (1930-2024) |
On the Medusa of Leonardo da Vinci in the Florentine Gallery | 3:04 | Gelesen von Leonard Wilson (1930-2024) |
The Indian Serenade | 1:37 | Gelesen von Leonard Wilson (1930-2024) |
A Dirge | 0:56 | Gelesen von Leonard Wilson (1930-2024) |
The Sensitive Plant | 18:32 | Gelesen von Leonard Wilson (1930-2024) |
To Constantia, Singing | 3:11 | Gelesen von Leonard Wilson (1930-2024) |
A Lament | 1:09 | Gelesen von Leonard Wilson (1930-2024) |
To a Skylark | 5:00 | Gelesen von Leonard Wilson (1930-2024) |
The Mask of Anarchy | 17:28 | Gelesen von Leonard Wilson (1930-2024) |
To Wordsworth | 1:33 | Gelesen von Leonard Wilson (1930-2024) |
Stanzas Written in Dejection Near Naples | 3:15 | Gelesen von Leonard Wilson (1930-2024) |
An Exhortation | 1:50 | Gelesen von Leonard Wilson (1930-2024) |
Excerpts from A Defence of Poetry | 16:34 | Gelesen von Leonard Wilson (1930-2024) |
To-- When passion's trance is overpast | 1:29 | Gelesen von Leonard Wilson (1930-2024) |
Ode to Liberty | 18:47 | Gelesen von Leonard Wilson (1930-2024) |
To-- Music when soft voices die | 1:04 | Gelesen von Leonard Wilson (1930-2024) |
Dirge for the Year | 1:46 | Gelesen von Leonard Wilson (1930-2024) |
The Triumph of Life | 34:13 | Gelesen von Leonard Wilson (1930-2024) |
The World's Wanderers | 1:10 | Gelesen von Leonard Wilson (1930-2024) |
Hymn of Pan | 2:21 | Gelesen von Leonard Wilson (1930-2024) |
To-- Oh! there are spirits of the air | 2:47 | Gelesen von Leonard Wilson (1930-2024) |
Epipsychidion | 39:55 | Gelesen von Leonard Wilson (1930-2024) |
Rarely, rarely, comest thou | 2:49 | Gelesen von Leonard Wilson (1930-2024) |
Alastor | 48:50 | Gelesen von Leonard Wilson (1930-2024) |
The Witch of Atlas | 38:47 | Gelesen von Leonard Wilson (1930-2024) |
Preface to Adonais | 6:11 | Gelesen von Leonard Wilson (1930-2024) |
Adonais | 32:17 | Gelesen von Leonard Wilson (1930-2024) |
Bewertungen
Leonard Wilson Did A Good Job!





Procyon
A prejudiced reviewer is as unsightly as a large boil on a fair face. I heard 3-4 poems of Shelley and I can say that Leonard Wilson did a good job! Librivox should reprimand such untruthful and unfair reviewers like Valentina. Just as I would like Librivox to take immediate action to suspend that bungling maniac who ruined 5 chapters of Nicholas Nickleby with his distorted pronunciation.
his voice was a little too raspy to hear the words strongly





daniel gardea
Not the righe voce forse me





Valentina ☆
I'm sorry I don't mean to be rude, but I would've preferred a younger voice, less theatrical reading and more passionate. Moreover Shelly is my favourite poet and I know some of his poems by heart, so I can tell for sure that a couple of lines were incorrect in Love's Philosophy. I can't say about the other poems cause I was disappointed and I gave up listening pretty soon.